
/* Paragraphes 1 2 3 4*/ ?>
@UNC-TV : Blues musicians who shifted from the banjo to the guitar may have learned the art of picking a tune on one-stringed, homemade instruments. This homemade instrument may have introduced the "slide" technique typical of the later Piedmont Blues, mainly for the variation of notes since one string allowed less flexibility for melody.
@Worlds Beyond Rittman : When I read about Mr. Johnny Miller in a local Greenville, S.C. newspaper, I had to go meet him. I was really into playing the blues guitar during that time, and I had no idea that a Piedmont Blues legend lived no more than a mile from my home.
@Star Maker Machine : : Together, Cephas and Wiggins distinguished themselves with their ability to adapt classic blues tunes from other regions to the Piedmont Style. And Cephas also wrote new songs that were firmly in the Piedmont tradition, and sounded like they were old standards. Black Cat on the Line is one of these.
/* Bas Google */ ?>
@On muddy Sava riverbank : Charles Henry Tate was born in Georgia, but moved as a child to Greenville, South Carolina, where he knew Blind Boy Fuller. After serving in the Army in WW II, he moved to Spartanburg, and was active in that city's blues scene when not poursing his trade as a bricklader.
- Sleepy John Estes & Yank Rachell - Expressman Blues3.01
- Scrapper Blackwell - A Blues3.00
- Jaybird Coleman - Man Trouble Blues3.04
- Pink Anderson - Mama Where Did You Stay Last Night3.49
- John Cephas & Phil Wiggins - Black Cat on the Line4.20
- Bo Weavil Jackson - You Can't Keep No Brown3.12
- Bumble Bee Slim - I'm Needing Someone3.03
- Baby Tate - When Your Woman Don't Want You Around2.44
- Peg Leg Howell - Skin Game Blues3.06
- Josh White - T.B. blues3.11
- Gabriel Brown - A Hundred Women2.43
- Curley Weaver - No No Blues3.13
- Luke Jordan - If I Call You Mama3.15
- Frank Hovington - Trouble In Mind3.24
- Etta Baker & Cora Phillips - On The Other Hand Baby3.07
- Blind Boy Fuller - Get Your Yas Yas Out2.26
- Charley Jordan - Just A Spoonful2.40
- John Jackson - Railroad Bill4.02
- Reverend Gary Davis - Mister Jim (Walkin' Dog Blues)4.15
- Lonnie Johnson - Uncle Ned, Don't Use Your Head3.09
- Buddy Moss - In The Evening2.18
- Blind Blake - You're Gonna Quit Me Baby2.45
/* Paragraphes 4 5 & 6 */ ?>
@Piedmont Blues Preservation Society : The Piedmont Blues Preservation Society (PBPS) has been helping to keep the Blues alive since 1985. We are an all volunteer, 501(c)3 nonprofit Affilliate of The Blues Foundation. The PBPS hosts the annual Carolina Blues Festival presented by YES!Weekly each early May in Downtown Greensboro, NC USA.
@Music Maker Relief Foundation : "Because of her stunning beauty, Etta's husband refused to let her travel and perform away from home; nevertheless, she never stopped playing her music. This gracious grandmother was the source of a great deal of joy and surprise when I found that she still played guitar after I had heard her early recordings from the 60s. One of the signature chords of my guitar vocabulary comes from her version of "Railroad Bill". This was the first guitar picking style that I ever learned."–Taj Mahal
@Stefan Wirz : : Scrapper' Blackwell : Francis Hillman Blackwell b. February 21, 1904 in Indianapolis, Indiana neither in (never existing) "Syracuse, North Carolina" nor in Syracuse (Darlington County), South Carolina d. October 6, 1962 in Indianapolis, Indiana discography.
@New Georgia Encyclopedia : "Bumble Bee Slim" Easton's work exemplifies the beginnings of what came to be known as the Chicago style, retaining elements of earlier country blues while anticipating the more polished urban sounds of the postwar period.
to be continued… probably
/* Bas Google */ ?>

